Galia Benziman will inaugurate the 2009 Jewish Studies Research Colloquium with a talk Sholem Aleichem’s Motl, the Cantor’s Son: “Try Not to Love Such a Country’: The Americanization of Sholem Aleichem’s Yiddish Text,” on Tuesday, February 10, 4:00 PM in Humanities 1, Room 245.
Modern identity was forged, in large part, through a self-conscious distancing from a past construed as magical. Until the late nineteenth-century, to be modern meant to have “faith” in “reason & materialist science.” We will explore the ways this identity project worked in Jewish culture, as expressed by figures including the Italians Leone Modena (1571-1648) & Tobias Cohen (1652-1729), as well as in later eastern European Jewish debates on the border between the newly emerging realms of the “natural” and “supernatural.”
This exciting conference was organized by the Mediterranean Seminar at UC-Santa Cruz. Many of the talks will explore aspects of the Jewish experience in the Mediterranean region, including the construction of a pan-Sephardi identity, the creation of the Donmeh community, and the emergence of diasporic Andalusian musical traditions.
Join an international gathering of scholars on Italian Jewish history and culture for a weekend of events. Italian Jewish Culture in the Age of the Ghetto presented in association with the exhibit Il Ghetto: Forging Italian Jewish Identities, 1516 – 1870.
This series carried forward some of Prof. Murray Baumgarten’s work on the Venetian Jewish Anthology. Prof. Baumgarten would be glad to take any questions or walk through the exhibition with colleagues and friends.
Sunday, May 4, 2008 | 9:00AM – 5:00PM | Free & Open to the Public University of California, Santa Cruz The Center for Jewish Studies, through the generosity of the Koret Foundation, brought together a small number of scholars on May 4th, 2008 in order to address the question of Jewish contributions to Russian […]
Michael Thaler is a Professor Emeritus of Pediatric Medicine, UC San Francisco, and a Lecturer in History, UC Santa Cruz. On May 16, 2007 he delivered the following talk on Nazi Bioscience.
Did you know that the first American movie star, Bronco Billy Anderson, was a Jewish guy from New York whose real name was Max Aronson? Yes, long before Mel Brooks discovered the West in “Blazing Saddles,” it was a Jew who invented the archetypal figure of the American cowboy!